Repressive Patriarchs of Jane Eyre

The men in the wise atomic number 18 entirely repressing paterfamiliass. For them, ph on the wholeic control essential be controlling. In the light of this comment, hold forth Brontes presentation of virile lawsuits in Jane Eyre. Through issue the novel of Jane Eyre, there give earms to be a common sense of time-honored asc curioence, as possessed by the manful characters. Bronte shows antheral supremacy through and through quatern draw characters that Jane encounters through erupt her life. Each character differs hugely, though this sense of a high and to a greater extent mightinessful individual, e realwhere Jane, hit prevalent in each they argon each(prenominal) inhibitory patriarchs in any(prenominal) elbow room, though of varying magnitudes.The nice cabargont was a completely polar cab atomic number 18t to the maven we live in straight counselling and it was nearly-kn induce to be priapic-dominated and one in which women had approximately no rights at all. The circumstance that Bronte wrote Jane Eyre during this period in time is distinctly speculateed in the staminate characters in the novel. It is observable that Bronte herself whitethorn extradite experienced or been put in several(prenominal) of the situations that she portrays Jane to be in by some despotic anthropoid character in her own life.Nevertheless, it is seen that these characters do reposition as the novel progresses as Bronte seems to give them a run across to withdraw themselves as a restrictive powerfulness, and show a little to a greater extent con locationration and compassion towards others and women in particular. gutter vibrating reed is the basic of Brontes repressive patriarchs in the novel. He is placed at the pop outning of the novel and is introduced to us intimately immediately. He is in detail the actually first heavy force to Jane in her life and in this way is real signifi tin cant.At first, fast one does non se em to be a huge threat to Jane, more everywhere branding her a bad creature and a rat. This juvenile name-calling behaviour, as announceed by prat, is still tyrannic in that he uses these names to hold a higher power oer Jane, subsequent to pronouncing all the books in the base as his property. He reminds Jane that she is in a highly precarious position in participation and that she has no class ascribable to the accompaniment that she is living with them. She is classified as less than a servant check to him because she does nonhing for her keep.John taunts Jane proclaiming that she ought to beg to plane live. He continuously reminds Jane that she is a parasitic somewhat indicating that she is dependent on him due to the circumstance that he is the except male in the household, and therefore the master by birth. Furthermore, John demands homage of Jane, even though he is only alone quaternity years older than her. He performances what he feels is his power as a male over her animal(prenominal)ly, as can be seen when he hits Jane with a book as the volume was flung.This physical abuse is significative of Bronte eliciting that John Reed believes that male supremacy moldiness be absolute. The regularity of his browbeat as a demand for obedience of Jane, non once or twice in a day, only if continually is in addition characteristic of a repressive patriarch who would feel more obtain in continuous rather than oscillating abuse. John Reeds behavior may even be verbalise to be one of a natural authoritarian male character. Being immense and stout with heavy limbs and crowing extremities orient that he is quite a large boy for his age and automatically an scud individual.His work ons towards Jane atomic number 18 besides somewhat animalistic much(prenominal) as thrusting out his tongue at her as outlying(prenominal) as he could without damaging the grow, suggesting his touch sensation in a native sense of alpha male do minance over a shrewdness of apes. He is quite grotesque as well and he does non tho wield his power over Jane, but he twisted the necks of the pigeons, and killed the little pea-chicks. It is clear that Bronte is extremely disgusted with his manner of indulging in animal cruelty as a means to show his masculinity.John is similarly plaguy towards his overprotect and acts without respect towards her, emphasising his belief that he is of a higher status than all women, not just Jane. He called his mother old girl too sometimes reviled her for her dark skin, similar to his own brusquely disregarded her deales, and not infrequently divide and spoiled her silk attire. These aspects of John Reed, with no doubt, express Brontes strong feelings about the item that all men thought that they were shining to a charwoman. Her disapproval and abhorrence of male supremacy is clear. Mr Brocklehurst is the second tormenting force that Jane is open to in her life.He differs to John Re ed in the fact that whilst John Reed is a form of physical oppression towards Jane, Brocklehurst is a form of spectral oppression. Nevertheless, both of the cardinal characters are similar in demeanor as can be seen by Brontes description of them, reinforcing this psyche that male characters of oppression suck a sure appearance to express their power. When Jane first meets Brocklehurst, the first description she ever gives him is one with forbid connotations a black pillar that was rest erect on the rug the vitriolic face at the top was a homogeneous a carved mask, placed supra the shaft by way of capital. instanter we are given the sense that he is an imposing and unbending character who is just kvetch frightening, especially to a late Jane. Brocklehurst seems to be a gothic scoundrel in a sense and as a stony stranger, the sibilance emphasises the fact that he is extremely un approachable, hard and unforgiving. Bronte also gives Brocklehurst a bass voice which empha sises his masculinity, as well as large features that are harsh and prim to highlight his contumacious disposition.We soon find out that Brocklehurst is in fact a religious dissembler who uses religion as a vehicle for his repressive force that he exerts on the pupils at his school. However, we are not on first introduction immediately shown his deception by Bronte until a little later in the novel when Jane is at his school. Upon Jane and Brocklehursts first meeting, he pointedly asks Jane if she should like to fall into that pit full of fervour and be longing there for ever. In an tyrannous manner, Brocklehurst uses these implications of hellhole as such to scare and terrify Jane into obedience.If we read into Brocklehursts delivery, his hypocrisy is revealed to us. He soils to Jane that she would burn in hell for ever. The fact that he says for ever is key in that he particularly twists the Christian ideas. When he mentions hell to Jane he ignores a key Christian idea that you may be saved from hell in an drift to frighten her into entranceway. Brocklehurst does not have sex for a fact that Jane ply alone go to hell, but he is threatening her with the idea of hell, as he does with all the girls at Lowood School. Bronte writes the first conversation between Brocklehurst in a way that puts our sympathies, as a reader, with Jane. You must pray to god to transport it to give you a wise and leach one to take by your nubble of stone and give you a amount of flesh was the advice given to Jane by Brocklehurst this is humourous in that Brocklehurst is described by Bronte as cosmos stony himself, emphasising Brontes effort to sway the audiences stamps to side with Jane. At Lowood, Brocklehurst securely preaches the idea that deity expects women to fall in themselves to domesticity in order to occupy Him. He states that humility is a Christian grace and one peculiarly allow for to the pupils of Lowood and that he brings the girls up in a way so as to lop this.Brocklehurst reveals his own hypocrisy and effectively shoots himself in the foot and shows that he clearly does not practice what he preaches with his own children when he tells the story of his daughter Augusta and her off install to Lowood. Augusta comments on how quiet and plain all the girls at Lowood look, almost like poor peoples children, in comparison to herself in a silk gown. Augusta and her sisters also actually baffle at Lowood, as seen by Jane, in velvet shawls, ostrich plume and such.In this way, Bronte shows her belief that Brocklehurst is all that is wrong with the males of Victorian society as well as umpteen of the rich people who also state that consistency, is the first of Christian duties, without fully committing and accept in what they say themselves. Brocklehurst is in fact an extremely inconsistent person in his day to day life. Mr Brocklehurst is a mission of what Bronte believes is wrong with society and its males with rega rds to religious oppression, as John Reed is a theatrical performance of her beliefs with regard to males in society with regards to physical oppression.In a stark contrast to Mr Brocklehurst is St John Rivers, who is in fact a non-stereotypical patriarch. He is a contrast to Brocklehurst because he firmly does not believe that women like Jane should return and devote themselves to domesticity but instead to deity. Brocklehurst is also a hypocrite in this way as he should be sermon the idea of devotion to God but instead teaches his pupils to devote themselves to domesticity. However, there are also some slipway in which St John is similar to Brocklehurst, and there is a key link between them in their ideologies.St John has extremely congruent ideologies moreover he is not a hypocrite, hostile Brocklehurst. It is important to mention that St John is an esthetical model, an extremely problematic one at that. He is constantly living for his ideals and with his perfectionist na ture, these ideals are almost unattainable. He is deeply religious and self-sacrificing when it add ups to fulfilling his religious duties, and in this way, he tries forcefully to part Jane to comply with his approach to life and to go to India with him.To get her to come with him and marry him, he uses language such as a part of me you must become, asserting his authority and power as a male over her. He seems to be sacrificing of both Janes happiness and health for others, but he applies this to himself as well. St John attempts to dictate Janes life in that he seemingly wants her to reject his job offer as a school mistress for crossroads children. He wants her to hold this job for a while but not for good as he believes that she cannot be content to pass her leisure in solitude, and to devote her working hours to a monotonous restriction in a place where her skills are made useless.He ack instantlyledges that Jane is destined by God to do greater things, and though he may be wrong, he seems to be hinting to her this fact and that she is fit for a missionals wife, in what could be seen as a passive oppressive act. St John is also deeply un joyful with the fact that all Jane seems to want is a happy family life and would use all her capital that she inherited to secure it. At Christmas, she is set on revelling in domesticity and St John is very much bothered and despairing of this and tries to dispose her to become more like him, albeit in a repressive manner. I apology you for the present two months grace I allow you for the full enjoyment of your new position in this authoritative language St John displays that he does not want Jane to remain the position that she is in and to begin to look beyond Moor plate and Morton and the selfish calm and sensual well-providedness of civilised affluence. He wants Jane to sacrifice herself to God and I believe that in this way St John is more dangerous than Brocklehurst because he can is oppressive with reason, and he is not a hypocrite and willing to do all he preaches.I have distinguishable to leave discussion of Mr Rochester to the end as I believe that he is by far the most complicated of the male characters throughout the novel, due to the fact that he undergoes a change in which he becomes less of a repressive patriarch and therefore a more worthy husband for Jane. The character at the scratch of the novel is vastly different to the Rochester that we see at the end, in more ways than one. However, the change in his oppressive nature towards Jane is especially significant. Jane did meet Rochester by opportunity, but even though he did not know who she was, he was still oppressive and authoritative towards her.He commands her to lead him his horse and when she is unable, he states that necessity compels him to make her useful, place a heavy hand on her shoulder which is a significant action that demonstrates his sense of authority. This attitude becomes less unvarnished a s he gets to know her though further into their relationship, this dominant side of him reappears as he seemingly tries to force her to bewilder with him, though deep down he knows he cannot keep her. Jane feels that she is equal to Rochester as he is the first male not to out rightly exercise and force his immemorial dominance over her.Jane is comfortable to speak out and give her opinion directly, though this is only after he asks. She pointedly states that she does not think that he has a right to command her merely because he is older that her and in this way she has tell that the fact that he is male also does not play a part, though she does not actually say this. However, as their relationship progresses, this equality is warped and some of it is lost as Rochester seemingly becomes more desperate to have Jane for himself. This gradual add-on in commands directed at Jane can be seen when Jane asks to leave him to see Mrs Reed.He commands her to promise him one thing, that being not to advertise and to trust this quest of a situation to me. Ill find you one in time. His desperation for her to come hold up as soon as realizable is evident in the fact that he orders her not to advertise so that she will definitely come back to him. When Jane tries to leave Rochester for good, upon finding out that he does then have a wife, in the form of Bertha Mason, Rochester threatens violence in order to get her to stay. He is desperate to get through to her and to convince her to stay and it is interesting that he seems to want to resort to this.The fact that he threatens this shows us that he is at an end and this is what a male character would do in order to get soul to comply with their wishes. Rochester is interesting in that he does try to give Jane a potful of freedom as a woman to do as she wishes, and is comfortable being an equal with her, but when it comes down to it, he always finally resorts to his dominance as a male. Jane, however, does finally return to Rochester at the end of the novel. She makes her way back to Thornfield only to find it burned to the ground and she seeks out Rochester whom she finds disabled following the great fire started by Bertha.This loss of an arm and his stag his key to making Rochester a qualified husband for Jane. The baulk means that Rochester is now physically an equal to Jane, and does not have to suppress his opinions and will never have the opportunity to be dominant over her any more. Before he was disabled, Rochester never exercised his power over Jane, out of choice, this disability means that even if he cute and chose to utilise his male dominance over her, he cannot. The fact that Bronte decides to take away from Rochester so that he becomes less oppressive is interesting.She seems to be giving Jane a chance to have power in the Victorian society that she lives in, possibly reflecting a wish for herself as a woman. Not all the male characters of Jane Eyre are always patriarchal a nd some, like Rochester, choose not to exercise their power over the woman. It is important to strike out that all the characters do it in different ways physical, religious and only in desperation. However, the distressing reality that Bronte is trying to express is that the majority of the men in society do believe in absolute male supremacy.Nevertheless, she does give the example of Mrs Reed as a female oppressor who demands submission of Jane as a child, and took revenge when not obeyed. I believe that Bronte wanted the male characters to be a strong repressive force so as to reflect her feelings of society and the imbalance between the males and females. It is potential that Bronte was trying to send a heart to society through this novel in an effort to provoke a change in society, which would have been met with dispute from male readers and agreement from a female audience.